So...De-extinction is the process of creating an organism which is – or greatly resembles – a member of an extinct species (1). Contemporary biotechnology offers various promising alternatives for achieving this purpose, including the techniques that have already been applied to preserving endangered species (2). De-extinction requires an in-depth study of the biophysical conditions where the species can live and reproduce in relation to other species – including humans – and adapt to the environmental changes. In any case, risk and harm evaluation on the impact of the “re-birth” of species is necessary. There is a number of crucial ethical issues concerning de-extinction. They include the meanings of concepts such as “nature,” “species,” “evolution,” “biodiversity,” “death,” and “wildlife” in relation to human behavior and human impact on nature (3). In 2013, de-extinction became popular through press and public events; the National Geographic devoted a cover story to this topic and presented various possibilities and scenarios about the most suitable candidates. The Revive & Restore network, with the support of TED and in partnership with the National Geographic Society, convened the TEDxDeExtinction conference bringing together conservationists, genetic technology practitioners, scientists, and ethicists (http://www.ted.com/tedx/events/7650). Because the revival of extinct animals inspires imagination (4), de-extinction has been a topic of science fiction novels, such as John Brosnan’s Carnosaur (1984) and Michael Crichton’s Jurassic Park (1990) and their film adaptations.
Following a systematic philosophical and ethical analysis on animal de-extinction in the context of ecological restoration (3), this article analyzes de-extinction from the standpoint of bio-objectification and considers how de-extinction is a case of bio-objectification.
1.Where does Shakespeare's native town stand on? On the river Avon. 2.How old was Shakespeare when he died? He died on his burthday aged 52. 3.What did Shakespeare write? Comedies tragedies and historical plays. 4.What is Shakespeare also famous for? He is also famous for his sonnets. 5.What was his wife's name? Anne Hathaway. 6.Where can we now see Shakespeare's plays? In the Royal Shakespeare Theathe. 7.Who was the sculpturer that gave the town the most famous Shakepeare's memorial? What was his name? It was Lord Gower who gave it to the town. 8.Where was great Shakespeare burried? In Holy Trinity Church. 9.How many children did Shakespeare have? Three:one son and two daughters. 10.Why do people come to Stradford-upon-Avon? Because they want to see the place connected with the life of W.Shakespeare.
So...De-extinction is the process of creating an organism which is – or greatly resembles – a member of an extinct species (1). Contemporary biotechnology offers various promising alternatives for achieving this purpose, including the techniques that have already been applied to preserving endangered species (2). De-extinction requires an in-depth study of the biophysical conditions where the species can live and reproduce in relation to other species – including humans – and adapt to the environmental changes. In any case, risk and harm evaluation on the impact of the “re-birth” of species is necessary. There is a number of crucial ethical issues concerning de-extinction. They include the meanings of concepts such as “nature,” “species,” “evolution,” “biodiversity,” “death,” and “wildlife” in relation to human behavior and human impact on nature (3). In 2013, de-extinction became popular through press and public events; the National Geographic devoted a cover story to this topic and presented various possibilities and scenarios about the most suitable candidates. The Revive & Restore network, with the support of TED and in partnership with the National Geographic Society, convened the TEDxDeExtinction conference bringing together conservationists, genetic technology practitioners, scientists, and ethicists (http://www.ted.com/tedx/events/7650). Because the revival of extinct animals inspires imagination (4), de-extinction has been a topic of science fiction novels, such as John Brosnan’s Carnosaur (1984) and Michael Crichton’s Jurassic Park (1990) and their film adaptations.
Following a systematic philosophical and ethical analysis on animal de-extinction in the context of ecological restoration (3), this article analyzes de-extinction from the standpoint of bio-objectification and considers how de-extinction is a case of bio-objectification.