At last holidays came! I was very happy! I didn't have to get up early in the morning and run to school. I could stay in the bed till midday. But I didn't want to sleep. There were a lot of things to do.
The weather was fine so my friends and I went for a walk every day. It was fun!
Then I spent a few days in the country where my grandfather and grandmother lived. It was great. I drank milk and ate a lot of tasty food which my granny prepared for me.
I have many friends in this village because I go there every holidays.
We played football and tennis every day!
But holidays were over and I returned to the city again. I liked my holidays very much.
Наконец наступили каникулы! Я был очень счастлив! Я не должен был вставать рано утром и бежать в школу. Я мог оставаться в постели до полудня. Но я не хотел спать. Было так много дел.
Погода была хорошая, так что мои друзья и я ходили гулять каждый день. Это было весело!
Затем я провел несколько дней в деревне, где живут мои дедушка и бабушка . Это было здорово. Я пил молоко и ел много вкусной пищи, которую моя бабушка готовила для меня.
У меня много друзей в этой деревне, потому что я езжу туда каждые каникулы.
Мы даже играли в футбол и теннис!
Но каникулы закончились, и я вернулся в город снова. Мне очень понравились мои каникулы.
From 1939 to 1942 he was in the United States, where his first work for the stage, the operetta Paul Bunyan (1941; libretto by Auden), was performed. A commission by the Koussevitzky Foundation led to the composition of his opera Peter Grimes (1945; libretto by M. Slater after George Crabbe’s poem The Borough), which placed Britten in the forefront of 20th-century composers of opera. His later operas include The Rape of Lucretia (1946); the comic Albert Herring (1947); Billy Budd (1951; after Herman Melville); Gloriana (1953; written for the coronation of Queen Elizabeth II); The Turn of the Screw (1954; after Henry James); A Midsummer Night’s Dream (1960); Owen Wingrave (television, 1971); and Death in Venice (1973; after Thomas Mann).
With the church parable Curlew River (1964), his conception of musical theatre took a new direction, combining influences from the Japanese Noh theatre and English medieval religious drama. Two other church parables, The Burning Fiery Furnace (1966) and The Prodigal Son (1968), followed. An earlier church-pageant opera, Noye’s Fludde (1958), made use of one of the medieval Chester mystery plays. The Rape of Lucretia marked the inception of the English Opera Group, with Britten as artistic director, composer, and conductor