положение
:
москва расположена в центральной части восточно-европейской равнины, в центре московской области.
московская область граничит:
на севере и северо-западе с тверской областью,
на северо-востоке – с ярославской,
на востоке – с владимирской,
на юго-востоке – с рязанской,
на юге – с тульской,
на юго-западе – с калужской,
на западе – со смоленской областями.
рельеф москвы в основном равнинный.
климатические особенности
:
климат москвы – умеренно континентальный, является переходным от мягкого европейского к резкоконтинентальному азиатскому.
континентальность возрастает с северо-запада на юго-восток.
всего в россии выделяют 4 условные климатические зоны:
i - включает в себя юг россии (тропическая зона);
ii - запад и северо-запад страны, территория приморья (субтропическая зона);
iii - южные районы сибири и часть дальнего востока (умеренная зона);
iv - якутия, северная сибирь, северные районы дальнего востока (полярная зона).
Russian painters had started their (1) unHeard of experiments with light and modified colour schemes before they visited France and got acquainted with French impressionism.
And yet, there is a difference between Russian and French impressionistic (2) Depiction in terms of their subject matter, light and colour scheme .
As far as French artists were concerned, they portrayed life differently in (3) COMPARison to Russian painters.
However, Russian impressionists never attempted to break away from (4)REALity.
Strictly speaking, Vasily Polenov can be regarded as a path (5) BREAKer in this field.
He was one of the first Russian painters who visited Paris in the 1870s and became (6) ENORMOUSly fascinated by impressionism.
He didn’t abandon his own distinct painting style, but he made every effort to (7) FAMILIARize his students in Russia with his French findings and encouraged their own artistic explorations.
Thanks to his (8) ENTHUSIAStic support, his like-minded contemporary artist Konstantin Korovin felt confidence to work differently.
The Moscow School of Painting, Sculpture and (9) ARCHITECTure had never had landscape painting classes as this genre was seen as the one for amateurs.
V. Polenov was the first to introduce such classes and he was (10) VIRTUALly besieged by students who wanted to paint nature.